Because bicycles, sustainability, economic justice and social justice all intersect here.
So when I'm called out for speaking my truth, for calling out a case of cultural appropriation, and then getting my head handed to me by the folks who basically rule in my professional landscape, well, that really hurts.
Here is the text of a post I shared elsewhere, and then retracted because it was too politically charged and the language deemed too hurtful.
Can you handle metaphor? Promise? Great. Read on.
*** *** ***
(from a FB post earlier today)
I'm about to get my head handed to me somewhere. But I think this needs to be said.
I watched the newest video from the vocal band Six13. Six13 is an a cappella group of six Orthodox Jewish men and their harmonies and arrangements are often amazing. Their musicianship is evident in everything they record.
Their latest video is a "parody" of Queen's "Bohemian Rhapsody," with the lyrics re-written to tell the story of Chanukah but the vocal harmonies left the same as in the original.
It's well-crafted.
AND --
I actually did not like this at all. And I had to think about why I didn't like it. Because on its face it is pretty cool.
Until I finally realized that I struggle to appreciate this because six frum boys appropriated the musical genius of a man whose pansexuality and flamboyance they might not defend publicly if he were still alive today.
Cultural appropriation of queer people is a real thing. And it troubles me deeply. Especially when it's done by people who think it's perfectly fine to condemn the individual human being while at the same time borrowing his artistic gift.
And I guess that's why I can't get excited about this.
Sorry.
As a queer person, I'm just calling it like I see it.
Cultural appropriation is theft.
Cultural appropriation is murder.
*** *** *** ***
So that's what I originally posted. At my personal FB page, which probably has too much overlap with my professional life. (Yeah. I'm gonna work on that.)
And within five minutes of hitting "post" I was besieged by over a dozen Jewish professional colleagues who PM'd me to tell me my post was inappropriate and that I owed the group an apology because my words were so hurtful.
I sent the apology. And, because I'm sensitive to the realities of my professional landscape, I also decided to pull the post by marking it "Me Only". I didn't delete it because while my words are intense, they are still how I feel. And at some future moment I will want to return to them and re-read them and ponder.
These guys may be all over the map individually, but they move with ease through the Orthodox world, and within a system that says queers are not acceptable and that women should not sing out loud within earshot of men because inserting the controls for men's sexual urges is actually the woman's job. (No Jewish stream is monolithic, but Orthodoxy is more unified and leans more rightward on a lot of social issues than most other streams of Jewish identity. So, sorry, but yeah, that's a thing.)
The older I get, the angrier I get -- especially about everything I've had to stuff over a lifetime of being not only other, but silenced for it. And I guess that at some future point I'll be compelled to choose between keeping peace in my professional landscape so I can get work, or throwing up my hands and deciding that I'm going to be like the Shondes, a Jewish band who will likely never perform in a mainstream Jewish space again because of their sexual and global politics.
I'll put this aside for now. Anyone who wants to read it here, read away. If you want to seriously engage, and if you can do that without attacking me, great. I'd love it. But if all you want to do is tell me to shut up about my pain and anger, I'm not interested. See ya.
I actually did not like this at all. And I had to think about why I didn't like it. Because on its face it is pretty cool.
Until I finally realized that I struggle to appreciate this because six frum boys appropriated the musical genius of a man whose pansexuality and flamboyance they might not defend publicly if he were still alive today.
Cultural appropriation of queer people is a real thing. And it troubles me deeply. Especially when it's done by people who think it's perfectly fine to condemn the individual human being while at the same time borrowing his artistic gift.
And I guess that's why I can't get excited about this.
Sorry.
As a queer person, I'm just calling it like I see it.
Cultural appropriation is theft.
Cultural appropriation is murder.
*** *** *** ***
So that's what I originally posted. At my personal FB page, which probably has too much overlap with my professional life. (Yeah. I'm gonna work on that.)
And within five minutes of hitting "post" I was besieged by over a dozen Jewish professional colleagues who PM'd me to tell me my post was inappropriate and that I owed the group an apology because my words were so hurtful.
I sent the apology. And, because I'm sensitive to the realities of my professional landscape, I also decided to pull the post by marking it "Me Only". I didn't delete it because while my words are intense, they are still how I feel. And at some future moment I will want to return to them and re-read them and ponder.
These guys may be all over the map individually, but they move with ease through the Orthodox world, and within a system that says queers are not acceptable and that women should not sing out loud within earshot of men because inserting the controls for men's sexual urges is actually the woman's job. (No Jewish stream is monolithic, but Orthodoxy is more unified and leans more rightward on a lot of social issues than most other streams of Jewish identity. So, sorry, but yeah, that's a thing.)
The older I get, the angrier I get -- especially about everything I've had to stuff over a lifetime of being not only other, but silenced for it. And I guess that at some future point I'll be compelled to choose between keeping peace in my professional landscape so I can get work, or throwing up my hands and deciding that I'm going to be like the Shondes, a Jewish band who will likely never perform in a mainstream Jewish space again because of their sexual and global politics.
I'll put this aside for now. Anyone who wants to read it here, read away. If you want to seriously engage, and if you can do that without attacking me, great. I'd love it. But if all you want to do is tell me to shut up about my pain and anger, I'm not interested. See ya.